An important study of the work of Felix Vallotton, a prominent member of Les Nabis and a contemporary of Bonnard and Vuillard.
Swiss artist Felix Vallotton (1865-1925) was born in Lausanne, but spent much of his working life in France. Closely associated with Pierre Bonnard and Edouard Vuillard, and a fellow member of the avant-garde group Les Nabis, Vallotton has nonetheless sometimes been overshadowed by his more famous contemporaries. Although he produced some of his most important work in Paris in the 1890s, his original and innovative approach persisted throughout his career. Texts by leading authorities look at Vallotton's life, work and reception. Generously illustrated throughout with the finest exemplars of the artist's paintings and prints, this book accompanies a new presentation of Vallotton's oeuvre that aims to re-evaluate his output and legacy, and includes works never seen in public before.
The book is published to accompany exhibitions at the Royal Academy of Arts, London , and The Metropolitan Museum of Art, New York [2019-2020] in collaboration with Fondation Felix Vallotton, Lausanne, Switzerland.
Over de auteurs:
Dita Amory is Curator-in-Charge and Administrator of the Robert Lehman Collection at the Metropolitan Museum of Art in New York. Dr. Philippe Büttner is keeper of the Collection at the Kunsthaus Zürich in Zürich, Switzerland. Ann Dumas is a freelance art historian from London and a specialist in French art of the 19th and early 20th century. Patrick McGuinness (1968) is a British academic, critic, novelist, and poet. He is Professor of French and Comparative Literature at the University of Oxford. Katia Poletti is Curator of the Fondation Félix Vallotton in Lausanne. Belinda Thomson is a specialist of late nineteenth-century French art. She has written books and articles on impressionism and post-impressionism, about Gauguin, Vuillard, Bonnard, Van Gogh and Pissarro.
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