When the Pre-Raphaelite Brotherhood (the 'PRB') exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the 'Young Painters of England', this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions.
Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women? What is known of their lives and their roles in a movement that, in successive phases, spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, whileothers were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socialising with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewellery-making -the fine crafts that formed a supportive tier for the 'higher' arts of painting and sculpture. And although their backgrounds and life-experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art.
Over de auteurs:
Dr Jan Marsh curated the exhibition 'Pre-Raphaelite Sisters: Models, Artists, Muses' for the National Portrait Gallery, opened in October 2019. She researched and published relating to women and the Pre-Raphaelite movement, including books on Elizabeth Siddal, Christina Rossetti, Jane Morris, Marie Spartali Stillman and others. Peter Funnell is Curator of Nineteenth-Century Portraits and Head of Research Programmes at the National Portrait Gallery in London. Charlotte Gere is a specialist in 19th-century decorative arts, who has published widely on jewellery, design, and historic interiors. Pamela Gerrish Nunn is an art historian from England. She published since 1978 in the field of 19th-century women artists. Alison Smith is chief curator at the National Portrait Gallery, London.
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