This book offers a beautiful exploration of Henri de Toulouse-Lautrec's works in lithography.
The book explores the new artistic approach to the poster at the end of the 19th century, which bridged visual and popular culture and turned the relationship between `high' and `low' art on its head. Technical innovations in lithography pioneered by Lautrec and other artists produced larger sizes, more varied colours and new effects and launched the role of the poster as a powerful tool for communication and marketing in fin de siecle Paris. Lautrec's embrace of celebrity helped to define the famous hotspots (theatres, cabarets and cafe-concerts) of fin de siecle Paris and made their stars recognisable figures across the whole city. Works by contemporaries such as Pierre Bonnard, Theophile Alexandre Steinlen and Jules Cheret also feature, and Lautrec's influence on British, and particularly Scottish, artists of the period will be explored. These include Walter Richard Sickert, Arthur Melville, John Duncan Fergusson and William Nicholson.
Over de auteurs:
Hannah Brocklehurst is curator Prints and Drawings at the National Galleries of Scotland in Edinburgh. Professor Frances Fowle Frances is Chair of the Association for Art History, Senior Trustee of the Burrell Collection in Glasgow and sits on the Burrell Renaissance Board. She is a Group Leader for Art UK and is on the Editorial Board of the Journal of the Scottish Society for Art History.
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