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Medieval Art in Europe: Romanesque Art - Gothic Art 987-1489

€ 47,50 (inclusief btw 9%)
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Specificaties
EAN code 9781906981037
Auteur(s) Victoria Charles, Klaus H. Carl
Taal Engels
Bindwijze Hardcover, 2-delig in cassette
Formaat (h x b x d) 29 x 25 x 6.6 cm
Pagina aantal 400
Illustraties 260
Uitgever Parkstone Press Ltd
ISBN nummer 9781906981037
Omschrijving

 

Over dit kunstboek


In art history, the term Romanesque art refers to the period between the beginning of the 11th and the end of the 12th centuries. This era was characterised by a great diversity of regional schools, each practising their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work endeavours to restore the importance of this art which is often overshadowed by the later Gothic style.
Gothic art is defined by the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe for more than 200 years. Abandoning curved Roman forms, the architects started using flying buttresses and pointed arches to open cathedrals to daylight. A period of great economic and social change, the Gothic era incorporated new iconography celebrating the Virgin Mary- a drastic contrast to the dismal themes of Roman times. Full of rich changes in all of the various art forms (architecture, sculpture, painting, etc.), Gothic art gave way to the Italian Renaissance and International Gothic.


Over de auteurs:

Victoria Charles received her PhD in history of art. She has published extensively on the subject and has regularly contributed to Art Information, an international guide to contemporary art. Frequently writing articles for specialised journals and magazines, Charles recently contributed to a collective work, World History of ArtKlaus H. Carl is the author of numerous works on the history of great cities, and is also a well-known photographer of flora and fauna. A teacher by profession, he is currently devoting himself to a monumental history of art.




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