The period 1851 to 1929 witnessed the rise of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists.
It was also a time of rapid social, economic, and political change, encompassing a revolution in communication systems and technology, and an unprecedented growth in the availability of printed images. Richard Brettell's innovative account explores the aims and achievements - the beautiful and the bizarre - of artists such as Monet, Gauguin, Picasso, and Dali, in relation to urban capitalism and expansion, colonialism, nationalism and internationalism, and the museum. Tracing common themes of representation, imagination, perception, and sexuality across works in a wide range of different media he presents a fresh approach to the fine art and photography of this remarkable era.
Over de auteur:
Richard Brettell is among the foremost authorities in the world on Impressionism and French Painting of the period 1830-1930. He was appointed Curator of European Painting at the Art Institute of Chicago. In 1988, he became the Director of the Dallas Museum of Art (DMA).
De levertijd is 4 tot 7 werkdagen.
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