Groundbreaking in both its content and its presentation, Art Since 1900 has been hailed as a landmark study in the history of art. Acclaimed as the definitive work on the subject, Art Since 1900 is essential reading for anyone seeking to understand the complexities of art in the modern age.
Conceived by some of the most influential art historians of our time, this extraordinary book has now been revised, expanded and brought right up to date  to include the latest developments in the study and practice of art. With a clear year-by-year structure, the authors present 130 articles, each focusing on a crucial event - such as the creation of a seminal work, the publication of an important text, or the opening of a major exhibition - to tell the myriad stories of art from 1900 to the present. All the key turning-points and breakthroughs of modernism and postmodernism are explored in depth, as are the frequent antimodernist reactions that proposed alternative visions. This expanded edition includes a new introduction on the impact of globalization, as well as essays on the development of Synthetic Cubism, early avant-garde film, Brazilian modernism, postmodern architecture, Moscow conceptualism, queer art, South African photography, and the rise of the new museum of art.
Over de auteurs:
Harold Foss (1955), better known as Hal Foster, is an American art critic and historian. He was educated at Princeton University, Columbia University, and the City University of New York. He taught at Cornell University between 1991 and 1997 and has been on the faculty at Princeton since 1997. Foster's criticism focuses on the role of the avant-garde within postmodernism. Rosalind Epstein Krauss (1941) is an American art critic, art theorist and a professor at Columbia University in New York City. Krauss is well known for her scholarship in 20th-century painting, sculpture and photography. She published since 1965 on a regular basis in highly influential magazines as Artforum, Art International and Art in America.
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