A hairless, ghostly figure on a bridge. The sky orange-red above him. His hands raised to his ears, his mouth wide in a haunting wail. In painting The Scream, Edvard Munch (1863-1944) created Mona Lisa for our times.
The shriek of his iconic figure reverberates around the world, its echo resounding in the work of Andy Warhol, Jasper Johns, Martin Kippenberger, Marlene Dumas, and Tracey Emin. This introductory book surveys Munch's staggering capacity for psychodrama in The Scream [De schreeuw] and beyond. With rich illustration, it looks at the lurid, dark, and deeply modern visions that made up the artist's response to relationships and emotions. These compelling images, regarded by the artist himself as a means of "free confession," remain as magnetic today as they were on the brink of modernism.
Over de auteur:
Ulrich Bischoff (born in 1947) studied art history, German language and literature studies, sociology, history, philosophy, religion and education in Tübingen and Berlin. He has taught numerous courses at the Academy of Fine Arts in Munich and at the Universities of Berlin, Kiel, Hamburg, Passau and Dresden. Since 1994 Bischoff has been director of the Gemäldegalerie Neue Meister at the Staatliche Kunstsammlungen Dresden. He has published numerous writings in the areas of classical modernity and contemporary art.
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