This important re-evaluation of the Dutch- born painter Lawrence Alma-Tadema traces his personal and artistic journey towards international fame and success in London and investigates how this exceptionally creative artist used his own houses and studios as laboratories to produce vivid paintings of life in ancient Greece, Rome, and Egypt.
Lawrence Alma-Tadema s paintings were immensely popular among his contemporaries, and have since enchanted a wide audience through the medium of cinema. Anyone who has ever enjoyed the great epic films of antiquity from Italian silent classics and Cecil B. DeMille to Ridley Scott s Gladiator will instantly recognize their origins in sets and costumes Alma- Tadema invented. Accompanied by glowing reproductions of the artist s rich and detailed works, this book boldly re-assesses Alma-Tadema s art through the idea of home: from his admiration for the interiors depicted in early Dutch paintings through his fascination with Pompeian ruins, to his creation of large studio houses that were artworks in their own right. Building upon Alma-Tadema s renown as the archaeologist of artists, the new scholarship in this impressive volume shows how the spaces he created and inhabited with his talented artist-wife Laura and their two daughters reflected an aesthetic vision that has thrilled viewers and other artists for more than a century. Appealing to general and scholarly audiences alike, this book underscores Alma-Tadema's reputation as one of his era's greatest creative talents.
Over de auteurs:
Elizabeth Francesca Prettejohn (1961) is an art historian and author of several books about art history. Her books have included Rossetti and his Circle (1997), The Art of the Pre-Raphaelites (2000) and Art for Art's Sake (2007). Prettejohn has written exhibition catalogues and papers for journals such as The Burlington Magazine, Journal of Victorian Culture and Art Bulletin. Peter Trippi is editor-in-chief of Fine Art Connoisseur, a bimonthly magazine for collectors of of representational painting, sculpture, drawings and prints—both historical and contemporary. From 2003 until 2006, Trippi was director of New York City's Dahesh Museum of Art, which is devoted to 19th- and early 20th-century European academic art. Most recently, Trippi co-curated (with Elizabeth Prettejohn and Ivo Blom) the major touring exhibition Lawrence Alma-Tadema: At Home in Antiquity.
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